
I must make a confession before we begin.
I have not read much
Steampunk fiction, at least not anything
being currently published.
My only knowledge of the genre in any literary sense has
come from reading
Michael Moorcock’s arguably “proto-steampunk”
Oswald Bastable
series. I am aware of the subculture certainly, but I have always been on the fringes but a
keen observer nonetheless.
So it is with this unfortunate ignorance that I came to
Steampunk Salmagundi and if what I encountered here is but a taste of where
Steampunk literature is going then I wish to read more.
The first story “Uhrwerk – The Incredible Steam Band” unfolds
like an NME article for the Victorian age as Mr Reppion introduces us to the mythic, at least among those who are in the know, musical group who
overcame extreme circumstances to put on a performance that would live in infamy.
This is a fun piece filled with vivid descriptions of the band’s
music and intricate details of the workings of their instruments. In fact they
are so detailed you begin to suspect that Reppion has the surviving parts
stuffed in a shed at the bottom of his garden.
What could easily have been a Steampunk send up of
Kraftwerk, (
Uhrwerk being the german for clockwork) actually becomes a rather
fascinating examination of technology and music and how this may have worked in
the landscape of Reppion’s imagination.
The collection then continues with the three part pulp adventure”Doppler
and the Madness Engine”. In a fun and intriguing romp we follow
consulting detective Doppler and her companion Grober through the
murky Victorian world of spiritualism and infernal technology. Reppion has a great
sense of wit and an even greater sense of horror as some of the scenes described
in part three are genuinely unsettling. To talk about this story in too much
detail would be detrimental to one’s enjoyment but I shall certainly welcome
any further adventures of Doppler and Grober as the characters have wings.
When not writing comics, Reppion is a regular contributor to
magazines like
Fortean Times and rounding off the collection are two of his articles
for Steampunk Magazine both informative and very well written. The first is “Baritsu,
Bartitsu and Ju-Jutsuffragettes" in which he explores the lost art of
gentlemanly self defence and its originator
Edward Barton-Wright. Reppion
includes excellent detail on the origin of the art, its decline and rebirth in
the modern era as well as the inventible mention of its use by the Great Detective
in dispatching a certain criminal mastermind.
To round off the collection is the fascinating story of
Thomas Edison and his supposed quest to communicate with the other side. “Séance
Through Science – Edison’s Ghost Machine” is an intriguing investigation as Reppion separates the fact from the fiction and what he uncovers is a
rather interesting observation on how bizarre legends can grow up around men of
science, and how they can become quoted as fact.
Steampunk Salmagundi is a marvellous little collection showcasing the inner workings and interests of a very talented writer. Although
I cannot comment on where Reppion’s work fits in with current Steampunk
writing, it certainly makes this reader want to find out more.
NOTES
Steampunk Salmagundi is available as a limited edition self
published work. John Reppion will be appearing at The
Steampunk Doncaster event
on Saturday 15
th June where he will be selling copies as well as some of his other work which include
Journeys in theWinterlands, his Sherlock Holmes comics and The Complete Dracula written in collaboration
with Leah Moore.
Many thanks to John Reppion for providing a review copy.